We were back in the East Village where the night started. In Maharlika, the stylish Philippino restaurant, numbly recounting how it all went down. Snoop Dogg’s Doggy Dogg World from 1994 spilled threats in that sluggish, Long Beach way. Dangerous and casual. It felt like a California decision to drive 3 hours (“If we can do it in two and a half hours or less, let’s go,” Joe suggested) to a casino in Connecticut – it felt circa 1994 too. Eric B. and Rakim’s Don’t Sweat the Technique was next. I wondered aloud if they had a DJ, wanting to send some approving eye contact his or her way. “It’s Pandora,” Nancy informed me. Shit is almost too easy nowadays I thought, taking a swig of my San Miguel in silent tribute to a harder time.
I was just joking around the day before. It was the end of the workday and concentration was elusive…But wait. I’ve told this story ten times and still haven’t found the hook. In each re-telling, I started obsessing over petty details because the symmetry was so uncanny. But it bogged down the story’s pacing and killed its comedic effect.
For instance, I like thinking about how Sandrine decided to skip a screening of 80 Blocks from Tiffany’s (the 1979 documentary about Bronx street gangs) in order to ride up to Mohegan Sun with us, but we all wound up in a gas station in the Bronx hours later anyway trying to change a flat tire. The gas station was tucked in an industrial zone just off the highway that seemed to be untouched by aggressive ‘quality of life’ policies and re-zoning that have transformed many dilapidated neighborhoods in the last two decades. She got to see the ‘for real’ side of the Bronx depicted in that film after all. A lot happened that night, but the story is really that nothing happened. A net zero effect. It took everything we had to go nowhere. Had we in fact been gambling all along?