The California-lization of New York’s weather is evidence that the forces of globalization – the process by which any locale in the world becomes like a quaint Bay Area suburb – are manipulating the environment, flattening it. This shift in the world’s weather patterns might ultimately mess heavily with New York’s sensitive arrangement of culture and intellectual life. New York’s crack-era rap music from the 90s seems mired in an eternal winter, but would it be more like the drawl-ly rhythms of California gangsta rap (made for driving sinisterly in sunny weather) if New Yorkers expected 70 degree weather everyday? Would rap even exist if New York was encased in the air-conditioned geodesic dome imagined by Buckminster Fuller?
Another question: Could the homogenizing force of climate change greatly alter the patterns of another institution of contemporary life: tourism – which depends on a delicate balance of societal stability and exotic difference? I once saw a ritualistic rain dance by Native Americans in a touristic section of Berlin, a city whose bleak winter weather offered an appropriate backdrop to its modern history and lends gravitas to its contemporary art scene. This tableaux on a crowded Berlin street could be read as a kind of environmental, cultural confusion where the truths of dislocated and local racial histories were distorted by the demands and desires of tourism. The significant crowd that had amassed to watch this dance lost themselves for a minute and Berlin became nowhere. Its history disappeared.
For the 2008 Olympics, China was able to shut down rain (for the opening ceremony) and conjure it (to freshen Beijing’s polluted air) at will, but could they impose a “real” winter on New York next year? China’s motivation: it would symbolically solidify their monopoly over this century.
T-shirts have a way of aging quickly, especially those made specifically for the tourist industry. My parents buy me one of these whenever they go on vacation, marking the cities and landmarks they’ve visited. But one stands out: a yellow shirt with a blue, quickly-rendered ink brush graphic of a simplified globe. “The world is my home” is scrawled above it. Unlike the other t-shirts they’ve bought me, I have no idea where they got this one. And its point is clear: it doesn’t matter. Could’ve been anywhere.