Stray Cats

Last week on Canal Street I saw a Chinese woman get arrested for selling knock-off designer handbags. Looking on vacantly with wide-eyed shock and fright, she was handcuffed and thrown into the back of a police cruiser. This woman, clearly a new immigrant from China, is part of a large, complex knock-off luxury goods system in the Chinatown/Soho area that caters primarily to American and European tourists.

The next day, business continued unimpeded as if the arrest ever happened; that woman lost and potentially forgotten in the system. Further north on Grand Street, I frequently pass Spanish and French tourists carrying multiple bags from the myriad retail chains on Broadway back to their hotel rooms. Tourism and shopping are close cousins, contemporary activities basic to middle class life across the world.

The art world has awkwardly tried to tailgate on this actuality, chasing around tourist money with art fairs and biennals in every corner of the world. Dealers, artists, curators, critics and collectors flock to Miami this time every year hoping that living it up next to the beach might propel art sales and provide a career boost. Museums also feel compelled to lure tourist audiences with exhibitions that sometimes feel like decorative installations in shopping malls or amusement parks. Check out the latest from the Guggenheim and New Museum.

Museums are like stray cats after thanksgiving, tearing apart any trash bag at night to find the leftover carcass of a bland-tasting bird. If a little mouse runs by, they’ll forget about the ravaged turkey and try to chase that down instead.

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